Counterpoint The Polyphonic Vocal Style of the Sixteenth Century. By Knud Jeppesen, foreword by Alfred Mann Book Item: X. $ Add to Cart. Knud Jeppesen was a Danish musicologist, composer, and writer on the history of music. His work Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century has been a standard textbook since its appearance in German . Jeppesen, Knud – Counterpoint – Ebook download as PDF File .pdf) or read book online.
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From Wikipedia, the free encyclopedia. Performing Music in the Age of Recording.
Unlike many other texts, it maintains a careful balance between theoretical and practical problems, between historical and systematic methodology. Classical Guitar Lessons for Beginners.
The Principles and Practice of Modal Counterpoint. My library Help Advanced Book Search. Lasker’s Manual of Chess. These 6 locations in All: Login to add to list.
Includes many musical examples. Jeppesen engaged in much primary research — locating early manuscript and print copies of old scores and preparing editions with annotations and commentary. Dover Publications- Music – pages.
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Overall rating No ratings yet 0. He was organist at Copenhagen’s St. Check copyright status Cite this Title Counterpoint: Ratings and Reviews 0 0 star ratings 0 reviews.
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Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century
Guide to the Practical Study of Harmony. Unabridged Dover republication of the edition published by Prentice-Hall, Inc. You can read this item using any of the following Kobo apps and devices: Lessons in Music Form: The Beethoven Sonatas and the Creative Experience. Music — 16th century. Box Hill Institute Library.
He begins by exploring the beginnings of contrapuntal theory from the ninth to the fourteenth centuries. Subjects Counterpoint — 16th century. The Music and the Life. The second part of the book contains an extended treatment of “species” counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass.
The Accompaniment in “Unaccompanied” Bach. What to Listen For in Music. The result is an exceptionally useful resource, ideal for classroom use in teaching modal counterpoint. Retrieved 31 July How to write a great review. University of Western Australia Library.
This is followed by separate discussions of each succeeding jeppesne, the styles of Palestrina and Bach, the “Palestrina Movement” after Fux, and more. The second part of the book contains an extended treatment of “species” counterpoint in two, three, and four parts, as well as counterpoint in more than four parts, and specific discussions of the canon, the motet, and the Mass.
Knud Jeppesen – Wikipedia
Jeppesen’s name is invariably associated with the study of musical counterpointparticularly in the style of Palestrinaof whom he was the leading scholar of his day. Completing primary education inhe first worked in Elbing and Liegnitz Eastern Germany counterrpoint an opera coach and conductor. Bach’s Works for Solo Violin.
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Tonal Counterpoint for the 21st-Century Musician. Would you like us to take another look at this review? None of your libraries hold this item. Knud Jeppesen No preview available –